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"Poetry Is To Money As Ice Cream Is To Mud" posted by ~Ray
Posted on 2008-09-29 02:21:55

You will not have roses thrown at your feet. You will not make money. You will not become the celebrated guest poet at universities & bookstores coast-to-coast. You will not be invited to read your poetry all over the world. You will not have multiple book channel parties. You will not be discovered and heralded as the next John Ashbery or Billy Collins or Elizabeth Bishop or Sylvia Plath or Ubermensch or Charles Bernstein or Susan Howe or Maya Angelou or John Cage or Lyn Hejinian or Rae Armantrout or Alice Notley. You simply ordain not. If you still want to write poetry despite those warnings spend as little as possible on getting it out there. I’ve wasted enough change on contests “placing” but never “winning” — I finally wised up and recognized the role these dice throwing games play: NONE. Well the contest-makers alter money off of people’s hopes that they’ll hit hardways on the “come out” roll (some do noble things like run their presses with the proceeds; ?). But ironically that’s the ultimate beauty of Poetry — it’s the enemy of money. Or more specifically it’s the one art that no one truly banks on to hit the big time; you go at it for the love of other possibilities & outcomes. Painters may somewhat-feasibly hope the canvas will increase a dime; songsters can push for the my-demo-made-the-charts payload; & even videographers can hold out for minor-Tarantino status. But poets? Living poets even those with lots of books rarely–and only later in life–hit the payload. Your chances of riding the wave of poetry-paychecks-for-sustainable-living are akin to those of becoming a lotto millionaire for real. And most lotto winners end up broke again ever-more unhappy. Within this privileged position of no-chance-for-payouts poetry can do things like critique and raze the powers-that-be and stall the myriad ways they make us less human turn us into automatons and instruct us against our soul-plucking consciousness. Poetry can strike weird & sometimes stupidly killer chords move an unheard phrase raise an image and pique our slumbering wanderlusts in such a way that the cogs and wheels of the capitalist disease we rest and breathe are slowed even just a little for just a minute or a second or an inkling of a breath. Who wants to breathe freely for the length of a song? The truth I know over and over is: Poetry is the stuff that makes light unfold. Poetry doesn’t work in visible & immediate ways; rather it takes its time and winds through those money-grinding machinations hinting at stirring dissension in ways we’ve labeled Surrealist. Situationist. Postmodern. Avant-garde. Artaudian. Battaileian. Lynchian. Subversive. Dada. Fluxus. Anti-Art etc etc. Its power relies on its near-immunity from the motivations money inspires. So why feed the beast in its name by sending money to contests? Avoid it if possible. Go online. Don’t be prideful. Do your own promotion get your friends and in production and distribution. analyse out the methods of. Kick some ass. I know I’m simplifying and romanticizing the role of poetry here but only in an effort to get those writers who don’t have expendable income (are there any that do?) to avoid prostituting your poetry in vain efforts. I mean if there is a contest with a press that you are in love with or they’ve employed a “judge” whose work you call your heritage then sure pop that twenty dollar analyse in the mail. Hopefully it will get through the interns’ and students’ first reading then the professional staffs’ weeding and make it into that adjudicate’s lap. Fingers crossed! But if you don’t have a free-flowing bankroll and you’ve got a killer manuscript-seeking-book form check out these sites stolen and credited. I gleaned from ye olde internet: Open: Open: Open: Open: (query/sample)Open: (query/sample)Open: (consume not first books)Open: ($10 fee)Open: ($20 fee)January & June: January-June: (sample)January-July: (query/sample)January-November: (query/sample)January-March: January-? (not first books): March 1-May 1: Feb. 1 - June 1: April-September: May & June: June: June: (not reading 2008)June: (you have to buy one of their previous books)September: (sample) (not reading 2008)September-October: (not first books)October: ($10 fee)October-November: ($10 fee. $15 to received published book)November-December: the various imprints (not reading 2008) Hoping to reverse the turn of poets paying to have their books published – one poet I know reports having shelled out more than $1,000 in contest fees – I’m posting this list of small presses that publish poetry books outside of contests. Some of these presses also run book contests but all consider books of poetry outside of contest parameters. If a small reading fee is charged. I’ve noted it. Feel free to email me presses to add. Hi. Amy. There is a way forward through independent publishing. I publish myself through Lulu but there are others. It’s free fairly easy and I retain all the rights. This way I don’t have to rely on masses of social networking or meeting the tastes of ‘editors’. Also congratulations on having the world’s longest blogroll haha. wish you are having a fantabulous day beat of tiny miracles like unexpected flowers blooming, I have to shout out Susan Schultz and Tinfish Press who published my second book as well as one of many of Linh Dinh’s books and Craig Santos Perez’s first schedule: BOA Editions reading period ends around the end of April. Thus far communication with them for me has been very straight forward; the editors there are quite energetic. I accept with you that poetry does not make much money but I think the picture that you paint is much too dire. There are (and undergo long been) avenues for poets to gain exposure. These include and are not limited to websites readings blogs interviews online radio shows and yes even book contests. Granted there are only a handful of winners every year. However new (and wonderful) poetry is getting out into the world. And some of these poets (admittedly the lucky few but still) are getting the temporary and sometimes tenure-track positions. I’m not saying the world is easy for the scholar-poet. Far from it. However there are opportunities (especially for those with a book (or two) and an MFA to begin to make some money–usually in the form of teaching composition at small colleges or universities. Poetry surely will never make you rich and the system is far from perfect but painters sculptors photographers and others face similar challenges–ones which have been and will continue to be present for the foreseeable future. Yes yes yes and yes. Exactly. I’ve done the websites run a reading series promote other poets interviewed and have been interviewed etc. Lots of venues. I’m sure my work with poetry and the books I’ve published played an role in my own tenured-security. But many of these “contests” are suspect. Young poets tend to see these “contests” as an only means when they most certainly are the *least* of their means! They should be an after-thought to the real work of getting one’s work out there. They are a gamble at best and while some are legitimate as far as what they promise (we’ll publicize as much as possible to get as many submissions/entry fees as possible and then we’ll publish one book). I’d say invest your hope and energy — and cash — in the other resources for promoting your work! Research real publishers and the methods they use to determine what gets published how much how often etc. Put your work out there in the “respectable” and “low” places. Where else does poetry belong? Put it there if you can. But entering a lottery for poetry well you know. And as for those latter artists you say actually they make art — yes — but the capitalist machinery has a much easier time absorbing those art pieces as products and putting a price tag on them. People want to hear music they want to decorate their office buildings and houses etc. but a poetry schedule is one of the least marketable of all of those art “products”. In this culture one can survive as a musician sculptor photographer. But not as a poet. Every poet I know has a “real” job. Is it challenging to get your bring home the bacon out there and defeat on selling it? Sure. But when it comes to poetry as a solo money-making venture or just for sustainability it’s pretty much nigh-on-to impossible. I think we accept. Amy. It is pretty impossible to make a living writing poems–but the architecture around poetry writing (especially teaching and publishing) does make it possible for the lucky few (the published and esteemed) to become at least in some sense of the word professional poets. Of course there are plenty of reasons to do something and write poems in addition to that. Good presses and journals will continue to treat writers very well though and to publish fresh exciting new work. I’ve always thought that the rewards of poetry writing and reading had little to do with making money and more to do with satisfying my creative goals and connecting with a broader audience of likeminded individuals. XHTML: You can use these tags: <a href="" title=""> <abbr title=""> <acronym call=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>

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"Publish! at Gallery Glue" posted by ~Ray
Posted on 2008-03-16 00:29:16

Two performances of different types from me at this create by mental act of events: [As part of 'PUBLISH!' (15th Sept-14th Oct preview Fri 14th Sept 6-8pm). Gallery Glue 192a. Heaton Rd. Heaton NE6 5HP.] September Tues 18th. 8pm Preslav Literary School In a one-off performance. Preslav Literary educate will present a live installation of dictaphone tape manipulations and improvised sound to go one hour of spontaneous typewriter prose the results of which will be hung in the gallery and lit by various mixed and spliced film works by visual artist HAL9000. October Thurs 4th. 7pm A National Poetry Day Celebration An informal evening of poetry. Readers include Susannah Pickering. Elizabeth Whyman. Adam Thomas. Sophie Baker and Aaron J Wells. Spontaneous readings welcomed on the night!

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"Increased Popularity of Poetry" posted by ~Ray
Posted on 2008-01-01 23:34:16

Not so long ago poetry was not seen as an important or powerful literary medium. In terms of retail strength poetry was a nominal seller at best. In recent years poetry has begun to re-capture interest in the literary world. Aspiring writers of poetry are a rapidly expanding group and are publishing their works with renewed energy and enthusiasm most notably over the internet. Run a examine engine ask relating to poetry and a surprisingly vast be of results come approve. The internet is playing a major role in the resurgence of poetry's popularity today. There are a huge number of poetry resource websites available for researching the many facets of poetry and notable writers both contemporary and those authors of historic record desire passed. For those unpublished writers keen on showcasing their writing talents the internet has opened up a wealth of opportunity for posting one's writing in online places like writers' forums ezines bulletin boards and blogs. A website can now be easily set up in a matter of minutes where one can display original works for poetry enthusiasts to see. This writer has spent a lot of time browsing many websites forums etc and has discovered a wealth of truly gifted writers who are worthy not only of publication but notoriety in their own right. Developing a devoted readership and gaining any measure of commercial success from writing takes a lot of measure patience and perseverance. The beauty of the internet is that there are so many free publishing vehicles to utilize. An aspiring writer can get their feet wet by posting their works online and receive almost instantaneous feedback from readers and fellow writers from which to calculate their level of expertise in the form of constructive evaluate. A lot of poetry forums entertain workshops for their registered members where a great learning experience can be gained from observing how other writers compose their poetry. For some novice writers the experience of receiving critique openly published for all to see can be a somewhat daunting experience but in many senses it is truly a great opportunity without financial outlay no less to learn how to develop effective writing skills that will back up an aspiring writer to change in literary terms. And of course I would be remiss in the absence of honourable mention of Lulu com in this post. This publishing host as with numerous others offers writers the means to actually publish hard copy of their writing in book or CD formats helpful tips on how.

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http://people.lulu.com/blogs/view_post.php?post_id=37265

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"Prize for (anti-)religious poetry" posted by ~Ray
Posted on 2007-12-15 15:40:04

The $5000 Blake Poetry Prize is also new and potentially as controversial as the Blake consider for Religious Art which this year included a statue of the Virgin Mary in a burqa by Luke Sullivan. The furnish for the first year is "bliss blasphemy and belief". When asked by the Blake Society to start the consider. Irina Dunn the executive director of the NSW Writers' Centre was excited "because of the connection between William Blake and poetry". The Blake Society head the Reverend Rod Pattenden says the prize links visual art and literature and provides "new possibilities for poets to explore the nature of spirituality in the 21st century". Leichhardt Municipal Council has pledged the prize money for five years and Wet Ink magazine will provide judges and publish the winning poem. When posting comments on blogs you accept to abide by our. Comments that are offensive defamatory unsuitable or that disrespect any aspects of the ordain be deleted.

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"Pre-Poetry Friday: My (not so) Secret Source for Poetry News" posted by ~Ray
Posted on 2007-12-09 14:12:01

is a mecca for poetry lovers. Go ahead do the free registration if you have to. You'll convey me the next time you're desperate for a Poetry Friday idea. (Or you can read it at your local library but it's hard to link to that online.)Not only do they have a weekly column called by which publishes along with a brief commentary but they also publish articles on and they say the death of. (Here he is. .)They also publish and even of a go out between a pre-published children's book author and an actor. (Just guessing her children's schedule rhymes. No evidence.) Not to mention this story of and yes there's a poetry connection there. You just undergo to read all the way to the end to sight it. But what I truly apply is their regular Sunday feature. "Life is Short: Autobiography as Haiku." Okay it's not really haiku but participants have to use 100 words or less to exposit their own lives. Week after week. I and I. (That last one is written by my yoga teacher.)And of course there's always the time honored technique of to alter. Here's what happened when I pasted this particular affix into that last cerebrate:You'll an connection (That honoredpublish (Here of song tothat have to have in mind lessread only outstanding apprise Poetryahead by the publish haveme it at a wordsHey that's almost a poem. And it's almost. See you soon. Holy Macaroli! Great ideas great sources yum!Back in college I thought I wanted to be a Dadaist. I went to art school that kind of thinking was encouraged. I once made a dadaist play using various characters and lines of dialog taken from five different plays tossed in the air glue-stik'd into randomly chosen order. Horrible but a lot of fun to do! That Life is Short feature is great. Ever done one? I really be to (one day) think of something BRILLIANT for that NPR "This I Believe" feature -- write some amazing essay that is. But writing it brilliantly is the hard part. Anyway. I would evaluate a Life is Short feature would be just as hard especially having to be concise. Not sure if I'm making comprehend. It's late. David. I fail miserably in the sorting and filing department. And you?jules: I've wanted to try. I have. But it's much harder than it looks. That's why I'm so amazed that the quality of them very rarely falters eisha: I should ask for a commission huh? Isn't it great that so much is on line? After awhile it all goes into their archives and you have to pay a small fee to access a write but that's only fair to the writer. But until then it's really surprising how much of the Post you can read online. I have a system: It's called "everywhere". I've got storage boxes and notebooks and mysterious boxes from my act a few years back that I don't want to adjudge I haven't looked into that my wife doesn't know about [yikes! ;)] but... The one that started it all almost 25 years ago has a name on it" The Excelsior File. And that's the truth and the secret origin.

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http://saralewisholmes.blogspot.com/2007/08/pre-poetry-friday-my-not-so-secret.html

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"feel like being published?" posted by ~Ray
Posted on 2007-11-17 16:58:13

who knew i was an untapped resource for some decent poetry? i wouldn’t call me literary work brilliant or change surface on the same aim as other poets of the world it just sounds good in my continue perhaps it will sound better on the printed summon i’ve always wanted to publish a book so i think i’m going to self-publish a poetry and art book within the next bring together of months maybe by march of next year i should make that a goal. i’ve open a creative and entertaining way of writing poetry now and it’s desire i don’t even undergo to try the stuff just jumps out at me like this one for dilate: moody banker / growth and metropolitain / the rear-view mirror may soon be invisible / wake myself up on material items / instead of lay and measure / we opposed wax paper natural history and perservatives / but those trains… / the kitchen had once been dominating / and we were a unify of wildflowers. (28 august 2007)

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"***Phillis Wheatley*** photo by Clarity Phillis Wheatley... 1753 ..." posted by ~Ray
Posted on 2007-11-03 14:47:16

Phillis Wheatley... 1753-1784... was a poet.. and the first African-American to publish poetry... born into slavery and taken from her parents at an early age... she was raised a Christian and offered an exceptional education by the family that owned her.... she received her freedom on the death of her owner in 1778 and later married a Bostonian... they had three children that didn't survive infancy.... poor girl died in poverty at the age of 31... That there's a God that there's a Saviour too: A mum,a wife,a sister,a daughter,an aunt,a friend,a daughter-in-law,a sister-in-law,a nature lover,a schedule lover,a movie lover,a radio4 lover and an honored member of this beautiful planet

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"Play It Again, Sam: On Poetry Reviewing" posted by ~Ray
Posted on 2007-10-17 15:28:51

I’m comfort on my mission to convince readers of poetry to try their hand at reviewing a book of poetry at least once! It amazes me how when poets publish a book they hold their breaths awaiting critical responses and then change state disgruntled or depressed when no one else gets off their behinds to review a book. The grow of passivity needs to change and there’s one good way to do it: the Internet. Since book analyse sections in newspapers across the country undergo change state stingier with column space (gratify see the deliver the Book Reviews Page campaign over at the NBCC communicate ) and since poetry books are usually at the furnish of the priority list (big press fiction and topical nonfiction go a little better) the chances of receiving attention at a newspaper are slim. Kirkus. Booklist. Publishers Weekly and the Library Journal are the magazine foursome that includes more poetry reviews but the succinct mostly hit-and-run write-ups usually leave much to be desired. Literary journals are more likely to print reviews of poetry books from small and independent presses and the reviews are usually more substantial than the thumbnail sketches in the aforementioned magazines. But unless it’s a big-budget affair like Poetry the literary journals will have a limited circulation and audience. That doesn’t take away from the fact that the poet the poet’s press and the small readership are quite appreciative of the usually literate and intelligent write-ups. Thank you small journals. The Internet however with its wide accessibility and unlimited space will be the salvation of the poetry analyse. There are websites out there that dedicate time and energy to the poetry book like and where I’m also a contributing editor. But for word-of-mouth nothing beats the blog and poets blogging about poetry books. Bless them! That is how I discovered one of the recent books I purchased and eventually reviewed. Steve Fellner’s alter Date with Cavafy. Published by a small touch it took a blogosphere buzz around the winning call and equally alluring schedule cover (designed by poet Claudia Carlson) to get this book some attention. (For my review of this book analyse out.) In short the benefits of the Internet are many. The venues are already out there as are the countless approaches to poetry reviewing. It actually doesn’t take that long to write one once you write a few and it’s about time poetry readers commit to more than the casual responses posted on Amazon com. We be to take the experience of a poetry schedule seriously because it is a serious art. I analyse at least two poetry titles a month: one for the El Paso Times whose features editor has been incredibly generous with column space (shout out to Ramón Rentería!) and one for Luna. The lesson is: we have to do this ourselves. I never set out to be a critic. Like many poets. I was quite guarded about my writing time and yes reviewing takes away some of that time. But after years of watching good books becomes ignored. I decided to participate in the conversation about the books themselves and not just chime in on the whinier one about books getting overlooked. In the meantime. I’d appreciate folks sending links of other poetry reviewing venues on the Internet we should all know about. Where else can we send a poetry schedule for review? Where else can we send a review of a poetry book we would desire to spread the word about? Kate Greenstreet's are another great way to hit the books about things. And who runs a fantastic touch blogs pretty regularly about the shelter. All of the bloggers do a little reviewing some more "free create" than others. I analyse things pretty regularly on rhubarb and people have been fantastically generous in sending analyse copies. Interestingly this past few months I've started hearing from the "mainstream" presses — this used to be a game only the subpress (literal or figurative) would play. Most recently. I covered a fantastic new Canadian poet. Sarah Lang and a neglectorino. Victor Segalen. As for create journals there are many excellent ones and the blogs are not going to replace them soon. I evaluate the Boston Review and the London analyse of Books both do a fantastic job (and they are wide circulation.) Weirdly. Marjorie Perloff got really really pissed at the LRB because of an article they wrote alter after 9/11 and declared she would boycott them so no more Perloff wisdom to be open there. Posted by: on September 8. 2007 11:10 PM Rigoberto's tireless efforts at poetry schedule reviewing are to a certain degree what has prompted me to attempt a project I am embarking on with a mixture of excitement and trepidation: Latino Poetry Review an online go slated to launch in early 2008 in collaboration with my employer the Institute for Latino Studies at the University of Notre Dame. It's the reason I started a communicate that goes by the same label which Rigoberto linked readers to when he mentioned Robert Vasquez's transcribe for the Heart measure week..

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"Creative Writing and Atheism" posted by ~Ray
Posted on 2007-10-10 17:18:19

You may be interested to know that this lack of atheist “art” is move of what got C. S. Lewis back on the road from atheism to theism. He started noticing that all the literature poetry and art that he loved came from people of faith and that works by his fellow atheists didn’t do much for him. Perhaps if this effort had started 80 years ago he might not undergo entangle that way. We said to fight with like and some of that was trueIt won’t apply to us but we can bear on it to youFrom hateful sermons festering with ignorance and blissYou’ll be to fasten around my friend you’ll want to stay for thisSee here at home we’re making preparations for a warSo give us all you’ve got then give us just a little more Call the number at the bottom of your screenGive us all your money don’t you express us where it’s beenGive it to the lawyers and give it to the judgeNow that you’re one of us you’ll get thanks from high aboveTrust your holy mechanic he knows what’s beat for youNow that you’re with us we’ll see it through for you 1-800-God gratify stay on the lineYou’ll find that your undergo ordain simply be divineSuspend the writ of “please don’t kill,” it won’t bear on to youThe heavens grimace upon you from the cockpit of a U2 Eh. I’m never sure about things like this. I don’t particularly like thinking of atheism as a all-around genre: grouping human experience under the banner of explicitly not being religious as opposed to being specifically this or that art style or concern or issue. I guess I feel like my goal is not to be reactively defined by theism (either of it or against it) but to flee it especially not in the realm of human expression. I’m not really sure about this idea… it’s hardly necessary and takes the bemock by responding to silly arguments formulated by superstitious and fearful idiots. label me one great symphony produced by the anti-slavery movement? label me one great bring home the bacon of fiction resulting from the women’s suffrage movement? Certainly we could evaluate a great many works to have spawned from the virulent anti-zeus movement of the early christian era (har har) … I could however list for you thousands (perhaps the majority in existence) of great symphonies masterpieces of literature musical ideas paintings poems that had no religious inspiration or undertones whatsoever but were rather more appropriately reflective of the develop of the human go and our evolution from our alter and simple beginnings to the creative beautiful and complex endings that resulted in their creation. religious people can only claim to have the small minority of works produced with a spiritual inspiration of intend which is more than fine with me; we get everything else. I am not entirely sure I agree with the concept because1. Most of the art that relates to God was done in a different time when religion was much less personal (in command) and much more societal. The churches in Europe are filled with fantastic art- but had most of those men (and women who instead had to make babies and die of it at 18) been born today. I am not sure most of the art would be religious in the least. 2. Some artists are or were atheists- my favorite playwrite. Arthur Miller was apparently one. I wouldn’t catagorize “Death of a Salesman” as atheistic (and there’s a whole debate about the Lomans as Jews or not) so would his works ascertain? Thanks so much for the post and the link. We truly appreciate the help in getting the word out that we have opened our doors. We undergo a number of excellent authors that are working on pieces for us. We received three submissions yesterday that are being massaged by the authors and ordain be posted tonight or tomorrow. We are closing in on 200 unique hits for today which is just our fourth or fifth day in business. This post on the Friendly Atheist place ordain do us a lot of good all by itself. I see the things that we publish as helping to improve the understanding of who we are as a group in a fairly non-confrontational manner. I don’t see that it can do anything but good. These are good points. I tend to see atheism is merely a category rather than a thing in an of itself. There is also a movement to move awareness of atheists. But it is not come up served by acting like it only cares about highlighting things that reference atheism specifically. The whole point is that we are human beings desire everyone else: we are not only not defined by our lack of religion but this may even be the most minor non=aspect of our lives. It’s only religious people that insist that it’s a big deal to be an atheist (and it’s only them that alter it a big deal to have to deal with those that cannot evaluate atheism).. For some reason this seems desire it misses the point. Religious art is common because populate who are religious put a lot of mental activity into thinking about their personal preference of the divine. Brights…come up as a bright. I don’t put a lot of mental activity into thinking about things that I don’t think exist. So any artistry I act is probably not going to be about atheism. In the television genre. I’d say Star journey. StarGate the Simpsons and Futurama. In literature we’ve got the ennoble of the Rings. Paradise Lost and the Catcher in the Rye. Interestingly enough. I’ve heard every one of them described as some variant of “deeply Christian” by at least some people. The beauty of our ideas is how subtly we can portray them (and that they do co-occur with religious ideas to such an extent that religious compose’s can unconsciously write them; or be “of the displease’s party without knowing it” as Blake said of Milton). And let’s not dismiss Arthur Miller. I think a case could be made for Death of a Salesman but a much stronger case could be made for say the Crucible. While we’re on the affect of plays. Tartuffe is arguably ours as is most of the canon of Moliere. And there’s also a inspect for Stoppard’s Rosencrantz & Guildenstern Are Dead or Wilde’s The Importance of Being Earnest. Just because every other sentence isn’t someone stating “you experience what there isn’t a god” doesn’t really mean it isn’t promoting an atheistic outlook. It ain’t necessarily so. (repeat)De t’ings dat yo’ li’bleTo read in de Bible,It ain’t necessarily so. Li’l David was small but oh my! (rpt)He fought big GoliathWho lay down an’ dieth!Li’l David was small but oh my! Li’l Moses was open in a stream. (rpt)He floated on waterTill Ole Pharaoh’s daughterShe fished him she says from that stream. It ain’t necessarily so. (rpt)Dey express all you chillunDe debble’s a villun,But ’tain’t necessarily so. To get into Hebben don’ snap for a sebben!be clean! Don’ have no accuse. Oh. I takes dat gospelWhenever it’s poss’ble,But wid a grain of salt. Methus’lah lived nine hundred years,But who calls dat livin’When no gal’ll furnish inTo no man what’s nine hundred years? I’m preachin’ dis sermon to show,It ain’t nessa ain’t nessa,ain’t nessa ain’t nessa,Ain’t necessarily so. Life is bunco.

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"Planning and looking ahead..." posted by ~Ray
Posted on 2007-10-06 09:05:52

I wish to bring around both the blog and the shortly with links to additional content stories and assorted and sundry other tidbits from the web. There is lots out there including -- as I discovered not too desire ago -- video clips of poets reading their work on YouTube (among them and ) which I hope to more systematically track drink and affix links to. In the meantime. I wanted to let you know about our intention to begin publishing an Occasional Papers series on (the yes yes broadly direct theme of) "African poetry". This is not a venue to publish poetry itself -- there are plenty of opportunities to do this including (my own outlet for little publications). What we are seeking are critical essays (apprise or extended though in either case substantial) and reflections on all different aspects of African poetry poets poetic works themes command critical come reviews etc. We will believe just about anything though we will only publish the beat. In terms of presentation each piece will be made available on the web as a alter professionally formated pdf and in a hard write version available remove as a pamphlet or booklet to be distributed at various conferences and via mail. If you are interested in learning more or submitting a conjoin for consideration check for more here on the or.

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http://african-poetry.blogspot.com/2007/08/planning-and-looking-ahead.html

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