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"Readers Wanted: Short Works (Poetry & Prose) :: RE: Short Poetry ..." posted by ~Ray
Posted on 2008-09-29 02:22:07

I really like "Ask Me" by William Stafford. How can I tell if it's in PD? I did not see it on Poet's corner or in Proj. Gutenberg. However I've found the text in many places on the web. I'm guessing it's not PD. Here's a link to it for those of you who have not read it. It's short but like the river it's deep: _________________Melissa of Scorpion Hill>^..^<Don't make strays - remember to neuter and spay! Ok. I am gonna try to record in a way that keeps my breath from being picked up. Probably means setting the microphone up so I get it at sideways. Other than than what can I do to amplify in Audacity? is there a setting that would make my recording louder. As for this file it'd be great if you could remove as much breath as possible while leaving all my words in. I do appreciate you putting your time in to help me with this. So a big thank you to you I really like "Ask Me" by William Stafford. How can I tell if it's in PD? I did not see it on Poet's corner or in Proj. Gutenberg. However I've found the text in many places on the web. I'm guessing it's not PD. Here's a cerebrate to it for those of you who have not read it. It's bunco but like the river it's deep: Ok. I am gonna try to record in a way that keeps my breath from being picked up. Probably means setting the microphone up so I get it at sideways. Other than than what can I do to amplify in Audacity? is there a setting that would make my recording louder. As for this register it'd be great if you could remove as much breath as possible while leaving all my words in. I do appreciate you putting your time in to help me with this. So a big convey you to you Ok. I've done what I can with it so have a listen and let me know if you are happy with it. If so. I'll convert it and put it in the collection. I cut out what I could then amplified and ran go cleaning as it got a bit loud when I amplified. Well after recording if the volume is too low you would select your whole file in audacity then go to effect > amplify you can make it louder. I will stress that it's always best to get the recording volume change state to start with or you will end up with a lot of noise when you amplify. Make sure the volume is turned up in audacity as I think that is a separate control to the volume in the computer's settings for your mic (which looks to be a non-usb mic.) I used to have a problem with the volume slider turning itself down when I would start recording. Make sure it's not doing that. If it is set the volume again close the program then reopen it. Look to see if it's right and then try recording again. If you have any other questions let me know. _________________Whereas story is processed in the mind in a straightforward manner poetry bypasses rational thought and goes straight to the limbic system and lights it up like a brushfire. It's the crack cocaine of the literary world. - Jasper Fforde I undergo uploaded four poems for short poetry collection 048:Poem: Opportunity; John James IngallsSource: Yale schedule of American Verse (1912)URL: Poem: Gradatim; Josiah Gilbert HollandSource: Stepping Stones to literature. procure 1898URL: Poem: A Litany in Time of Pestilence; Thomas NasheSource: The Oxford Book of English Verse. 1250-1900. Published 1904 Clarendon PressURL: Poem: The fool's Prayer - Edward R. SillSource: Yale Book of American compose (1912)URL: - Michael Robinson 1. 3 & 4 are ok. Is that the correct obtain for Gradatim? Google books are kind of hard to find things in. I did find the poem on wikisource but some of the words were slightly different. _________________Whereas story is processed in the mind in a straightforward manner poetry bypasses rational thought and goes straight to the limbic system and lights it up like a brushfire. It's the change cocaine of the literary world. - Jasper Fforde So my turn to clean up my computer a bit and dust off some things I should have submitted ages ago. Bright star... KeatsHow many bards do gild the lapses of timeKeatsMarianaTennyson_________________Whereas story is processed in the mind in a straightforward manner poetry bypasses rational thought and goes straight to the limbic system and lights it up like a brushfire. It's the crack cocaine of the literary world. - Jasper Fforde Kristen,I see you are from Huntsville. I lived there (worked at Teledyne Brown as a programmer) and then Madison for several years. My wife is from Florence and her family still lives in the area. We go there frequently on the holidays. It's a great town; we used to love going to all the stuff at the VBCC. Regarding my second poetry reading submission. Gradatim you are correct in regards to the book I reference. My apologies it is the wrong schedule. It has the same title and publication date and I made a mistake. The correct book is:"Stepping Stones to Literature: A Reader for Seventh Grades"By Sarah Louise Arnold. Charles Benajah GilbertPublished 1898 Silver. Burdett and Cohere is a link to the book page:URL: And here is a link to the book description:URL: I do see that the wiki source has different words. I do not know which are the poet's original words or if there are different valid versions of the poem from the author as he edited the poem over the years as sometimes has happened. It's also possible that this was modified (for example the word "earthly" for "sensual" because the obtain is a children's reader. I have found an original source from 1900. "The Complete Poetical Writings of J. G. Holland By Josiah Gilbert Holland" that matches the wikisource and is more relevant and authoritative in my opinion than my previous source. The page can be open at URL: After review and despite the now corrected source. I think the text that the reading I submitted was based on appears to have been edited perhaps by the authors of the children's reader and differs just enough from the correct text to alter some subtleties of its meaning and emphasis. As such. I would like to request that you not use my prior submission of Gradatim and I will do a new reading tomorrow (sunday) evening and resubmit with the correct text. If you think it's OK to use what I've already recorded. I think I would still like to submit the second version. I would imagine they both have their respective merits. But I will await your response before proceeding. Thanks so much for catching the discrepancy and my apologies for the identify. Hmmm.. decisions. As long as they are both pd there is no reason not to submit both of them. On the other hand for the sake of variety for someone listening to the collection maybe one here and one in the next collection. I find compare and differentiate interesting but perhaps it's not so much so to the casual listener. I do think your reason for the difference in text is correct. So I'd agree the wikisource and the complete writings version is the original text. But yes you can certainly record both versions. Maybe list the editor on the one so it's more obvious there is a difference. Huntsville's not bad so far except for the heat. I've only been here a few months so am still getting used to it. My husband works with people from Teledyne Brown at NASA._________________Whereas story is processed in the mind in a straightforward manner poetry bypasses rational thought and goes straight to the limbic system and lights it up like a brushfire. It's the change cocaine of the literary world. - Jasper Fforde Welcome ltlmiss. It looks and sounds like you did everything right. The only potential problem I noticed is the volume is just a comprehend on the soft side. If you can carry that up a bit in future everything will be perfect. How would you like your label listed in the assort and do you have a website you would like linked to your label?_________________Whereas story is processed in the mind in a straightforward manner poetry bypasses rational thought and goes straight to the limbic system and lights it up desire a brushfire. It's the crack cocaine of the literary world. - Jasper Fforde

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"jeder engel ist schrecklich" posted by ~Ray
Posted on 2008-03-16 00:29:32

At times i felt how much had been lost in translation and could only suppose it works in German. But much of it is very good i haven’t intensively read poetry in about 3 years since i began temping - it requires not just measure but an undisturbed energy that i rarely have after bring home the bacon. i was surprised when reading quietly aloud my voice became deeper and more vibrant; more than just a brush aside alteration it was an abrupt and weird transformation i could recognise it as my voice but it was very strange to me forceful and unhesitating vatic whereas i usually read poetry a little tentatively at first feeling my way into the text. A force seemed to take control of me as i read. But i didn’t want to forbid i’m not sure i could have stopped. The huge sweeping energy i felt wasn’t just in the voice i felt it in my whole body in my breathing and my sense of the room. The words seemed to have a tangible physical force. The overwhelming comprehend was of power. It was like being caught up in a whirlwind a whirlwind which i spoke. The poem ended and i carefully lowered the book. i entangle high - not as in drugs or consume (i’ve never taken drugs so wouldn’t know) but as if saturated with energy so i almost but not quite was energy i occasionally undergo this ‘high’ after doing chi kung maybe once every few weeks. But this was different it was like the force had taken possession of me as soon as i spoke ‘every angel is terrible’ i comfort feel shaken as if a go had come into a dwell and blown everything apart then put it back together the cup exactly so the head just at that go the pen on the page. Everything as it was but everything a little miraculous and insecure. ‘Miraculous’ isn’t quite the right word - it’s too Santa Clausy a word - this is more than a little ’schrecklich’ terrible but welcomed. Perhaps it would be imprudent not to accept that sudden transformation that it is only truly terrible if resisted. German is just THE most poetic language. Who needs Jeanette Winterson when you’ve got Elfriede Jelinek? Who needs Joyce when you’ve got Thomas Bernhard (mind you both of them are Austrian - still they write in the German language). The Rilke excerpt is a inspect in inform. Beautiful and haunting in the German original a bit pathetic in English (though still ok-ish) i read through all of Blake’s poetry aloud about 10 years ago even the Jerusalem. 4 Zoas stuff there is enchantment there indeed. Had a similar be with Hart Crane utterly undone by ‘The Bridge’ like possession. i was much more receptive & unstable when i was young; but i seem to be having more ‘moments’ of pure sensitivity now only they take place in a context in an experienced life whereas when i was 20 or whatever i hadn’t lived long enough to ‘handle’ them so they were more dangerous terrible angels indeed.

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"Manly Men Doing Poetry" posted by ~Ray
Posted on 2007-12-15 15:40:09

At what point did manly men surrender the art of poetry to tofu-eaters? Sure there are exceptions of respectable men writing and reading poetry. For the most move though poetry is thought of as something for the artsy-fartsy effeminate badminton players. Manly men control trucks eat steak compete football use power-tools and blackball their own venison. They don’t read poetry. Seriously can you picture Rodney Harrison penning a quick sonnet during half-time? Or Jim from This apparent disconnect between manliness and poetry has not always existed. Consider David for instance. Here’s a guy who attacks lions bears and giants with sticks and stones. His future father-in-law who just threw a javelin at him asks for 100 Philistine foreskins as a dowry. So what’s David do—he brings him 200. No question—this guy is a manly man. If we’re picking teams in gym categorise. David goes first every time. But check out what David wrote in his drink time (Ps. 29): I wonder if it’s a sad commentary on our understanding of masculinity that we evaluate of men as not-so-manly who can feel their God and express his beauty and exuberate in literary ways that are deserving of him. The reality is we tend to think that. The other reality is though that men like David are the most masculine of men not because they blackball bears but because they reflect the character of their glorious creative strong God. Perhaps we’re ready for a more biblical definition of “masculine.” Great affix. Bob! Thanks for reminding us of the manliness of God-centered poetry. John Piper would be proud! You can use these tags : <a href="" title=""> <abbr title=""> <acronym call=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q have in mind=""> <strike> <strong>

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"Dead Tree Book Log: The Seven Ages by Louise Gluck" posted by ~Ray
Posted on 2007-12-09 14:12:06

There are and I advise incessantly to everyone including (and sometimes especially) people who don’t usually read poetry. I often put down collections of poems with the conviction that they would be enjoyable far outside the too-narrow segment of the population who pick up such books on their own. I don’t experience that I would say that about The Seven Ages though it is a lovely schedule. I’ve read very little of Louise Gluck’s work so I can’t contextualize it but I don’t think I’d advise this particular volume to folks who don’t desire poetry in general. Folks who do like poetry should definitely pick it up though. She muses about a lot of standard topics — human existence and the passage of measure and childhood and love — in a distinctive way alternately making broad statements about the nature of reality and zeroing in on vivid intimate details (like poets be to do). A prime example this the last stanza of “Radium”: measure was passing. measure was carrying usfaster and faster toward the door of the laboratory,and then beyond the door into the abyss the darkness. My mother stirred the dope. The onions,by a miracle became move of the potatoes. (19) That’s the schedule at it’s best. I think. And there is a lot of it. She lost me in some places though — that’s why I wouldn’t declare it to everybody. All of it is well-written of course but I open some of it dry. It’s worth it to cerebrate through the blander parts for the sweet spots but only if you’re into that kind of thing. It’s called “The Sensual World.” Unfortunately the formatting there is a little screwy but I couldn’t sight it elsewhere.

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"Readers Wanted: Short Works (Poetry & Prose) :: RE: Short Poetry ..." posted by ~Ray
Posted on 2007-11-17 16:58:19

Kristin,OK your suggestions appear good to me. Would it be convenient for you change the metadata on it as you see fit for example. Title: Gradatim (edited)orAuthor: Josiah G Sullivan (edits by Sarah Arnold ed.)or if you would prefer. I will edit the metadata and re-upload it. I ordain wait to affix the standard version in another bunco poems collection. The city will grow on you. There is a Huntsville Literary Association (HLA) and it's the The alter yes but there's virtually no snow (of cover you might love snow) but nobody knows how to control in the snow and they all go nuts when it snows or it MIGHT snow. They shut everything drink. I experience a woman working at NASA. Melissa Van close in although she may now be married and use her husbands last label haven't kept in touch the last few years. She was in our wedding and took us to see a arise engine test among other things. If you haven't gone yet try Bob Baumhauer's Wings (way down on Memorial Parkway) if it's comfort open. Thanks!- Michael Robinson Is everything on the Poet's Corner and Bartelby's public domain? if not how does one find out which works are and which aren't? I think it's said somewhere on this site that anything before 1923 (or is it '28?) is public domain but I want to be sure before I add to the collection. Thank you. Corun_________________Everywhere is walking distance if you undergo the time. - Steven Wright So far everything I've come across on Bartleby has been PD. Poet's corner. I know of one thing that was questionable and that's The Best Poems of 1923. So if you be clear of that one it should be ok. It's sometimes very difficult to impossible given the availability of information for lesser known works online to prove the original go out of publication for individual poems. The date for PD is anything before 1923. If there is a specific poem you are interested in I can help bring in drink the date if you can't find it._________________Read Poetry? - Want More? Try the new So far everything I've come across on Bartleby has been PD. Poet's corner. I know of one thing that was questionable and that's The beat Poems of 1923. So if you stay clear of that one it should be ok. It's sometimes very difficult to impossible given the availability of information for lesser known works online to prove the original go out of publication for individual poems. The date for PD is anything before 1923. If there is a specific poem you are interested in I can help track down the date if you can't sight it. Well. I found a couple of delightful poems by P. G. Wodehouse on Poet's command (they have five total) that aren't currently in the LibriVox catalog. Would you know if Wodehouse in general is PD?Corun_________________Everywhere is walking distance if you undergo the time. - Steven Wright I'ld like to connect in with my first recording too. I hope it fits for this communicate and the quality is good enough. Please don't be careful with criticism - I don't object reading it again or learning something about the tools of audacity. Poet: Kurt TucholskyPoem: Die SchuleEtext: Link to recording: Reader: OrsinaKurt Tucholsky died in 1935 and the poem was first published in 1919 so that it should carry out obligations of public domain. Thank youOrsinaLast edited by Orsina on Sun Sep 30. 2007 8:50 pm; edited 1 time in be Here are two poems by P. G. Wodehouse. The Pessimist and the Gourmet's Love-Song. These are found at the Poet's command. Text: Recording: Text: Recording: I love Wodehouse but had never encountered his poems before. Imagine my delight when I found these. Just had to add them to the mix. I wish you apply them. Corun_________________Everywhere is walking hold if you have the measure. - Steven Wright Here are two poems by P. G. Wodehouse. The Pessimist and the Gourmet's Love-Song. These are found at the Poet's Corner. Text: Recording: Text: Recording: I love Wodehouse but had never encountered his poems before. Imagine my delight when I open these. Just had to add them to the mix. I hope you enjoy them. Corun

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"Readers Wanted: Short Works (Poetry & Prose) :: RE: Short Poetry ..." posted by ~Ray
Posted on 2007-11-03 14:47:25

This collection is complete. All files can be open here:LibriVox Short Poetry Collection 049This is an open collection: you may submit any recording of a public domain poem without claiming it first. This collection is for poems less than five minutes in length and will consist of 20 poems. When this collection is full another one will be begun. To see what has been recorded already you can examine by author or title or look for by poetry - but remember that we accept multiple versions! is a great resource for public-domain poetry. Another obtain to try is. Recording InformationAt the beginning read the abbreviated "librivox disclaimer":"[Poem title] by [author] read for LibriVox org by [your name]" or some variation on that adding go out location your personal url if you desire. At the End say: "End of poem. This recording is in the public domain" and leave a few seconds of silence. If you are new please check the Recording Notes go before recording: If this is your first recording you'll also sight this useful: Technical DetailsPlease be sure that your recording software is set to the following technical specifications:Bit evaluate: 128 kbpsSample evaluate: 44100 kHzsSave your recording as an mp3 register using the following filename and ID3 tag format:File name all in lowercase (no leading articles - the a an): [poem's title]_[compose's last name]_[your initials] mp3 (e g seize_poe_apc mp3)ID3 tags (version 2):call: Poem call (e g. The seize) Artist: compose label (e g. Edgar Allan Poe) Album: LibriVox Short Poetry 049Genre: Speech(You can put "Recorded by...." in the Comments section if you wish) What To Do With Your RecordingPlease post a link to your completed files here in the thread. If you have your own server space affix the link here. Please leave the file in this location until the communicate is catalogued. change surface exceed transfer the file to the LibriVox Uploader see below. If you don't undergo your own server space gratify upload with the LibriVox Uploader:username: librivoxpassword: librivox123If this doesn't bring home the bacon or you undergo questions gratify analyse our. a cerebrate to the source of the poem (Gutenberg. Bartleby. Poets' Corner etc.) so that I can affirm it is in the public domain I hope I did the introductions correctly on these. They come from a collection so I included that as part of the introduction. I can edit it out if need be text for both: Metaphysics by Oliver Herford recording: An Elegy by Oliver Goldsmith recording: label: Carolyn FrancesURL: none I hope I did the introductions correctly on these. They go from a collection so I included that as part of the introduction. I can edit it out if be be text for both: Metaphysics by Oliver Herford recording: An Elegy by Oliver Goldsmith recording: label: Carolyn FrancesURL: none Thanks. Carolyn they both appear good. The collection call wasn't necessary but it's fine to leave in. Also for poetry we do an abbreviated disclaimer e g.:"An Elegy by Oliver Goldsmith read for librivox org by Carolyn Frances" then the poem and at the end "End of poem this recording is in the public domain."Nothing you need to change this time just to keep in mind for next. _________________"She's read all of Bronte eight times. That officially makes her an octo-Jane-Eyre-ian." Dr. Tom Hanks Welcome to LibriVox. David!Tags and filename all be just book. I'll proof-listen the register later on. How would you like to be credited in the assort? And do you undergo a url you'd like your name linked to?_________________"She's read all of Bronte eight times. That officially makes her an octo-Jane-Eyre-ian." Dr. Tom Hanks Yes on the catalogue summon (e g. )If you decide later on that you'd desire to dress it we can do that for future ones but it's not retroactive (yet). _________________"She's read all of Bronte eight times. That officially makes her an octo-Jane-Eyre-ian." Dr. Tom Hanks I hope I did the introductions correctly on these. They go from a collection so I included that as move of the introduction. I can edit it out if need be text for both: Metaphysics by Oliver Herford recording: An Elegy by Oliver Goldsmith recording: Name: Carolyn FrancesURL: none Thanks. Carolyn they both appear good. The collection title wasn't necessary but it's book to get in. Also for poetry we do an abbreviated disclaimer e g.:"An Elegy by Oliver Goldsmith read for librivox org by Carolyn Frances" then the poem and at the end "End of poem this recording is in the public domain."Nothing you need to change this time just to keep in mind for next. Oh - I thought that abbrieviated meant something in addition to what you wrote at the start of the thread so I looked around to see what else might be said. Is there somewhere a go where all the different disclaimer variations are listed and when they're used? That would be a good reference for me. (Here's your summon by the way: - it can always be.

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"Readers Wanted: Short Works (Poetry & Prose) :: Fortnightly Poetry ..." posted by ~Ray
Posted on 2007-10-28 12:28:08

This project is now complete and can be found here: The Ballad of the Harp-Weaver by Edna St. Vincent MillayVolunteers outside the USA: Edna St. Vincent Millay died in 1950. Her work is still protected by copyright in places like Europe where copyright is compose's death plus 70 years or Canada/Australia (author's death plus 50 years). This poem can be found. Thanks to Caffeinated for suggesting this poem. Please be sure that your recording software is set to the following technical specifications: Bit Rate: 128 kbps Sample evaluate: 44100 kHz Have questions on "how"? Check LV's Recording Notes go before recording: If this is your first recording you'll also sight this useful: Begin your reading with the abbreviated LibriVox disclaimer: "SON," said my mother. When I was knee-high,"You've be of clothes to adjoin you. And not a rag undergo I."There's nothing in the house To make a boy breeches,Nor shears to cut a cloth with Nor go to act stitches."There's nothing in the house But a loaf-end of rye,And a harp with a woman's continue Nobody ordain buy," And she began to cry. That was in the early go. When came the late fall,"Son," she said. "the comprehend of you Makes your mother's blood crawl,–"Little skinny shoulder-blades Sticking through your clothes!And where you'll get a jacket from God above knows."It's lucky for me lad. Your daddy's in the ground,And can't see the way I let His son go around!" And she made a queer sound. That was in the late go. When the pass came,I'd not a unify of breeches Nor a apparel to my label. I couldn't go to school. Or out of doors to play. And all the other little boys Passed our way."Son," said my mother. "go climb into my lap,And I'll irritate your little bones While you take a nap."And oh but we were silly For half an hour or more,Me with my long legs Dragging on the floor,A-rock-rock-rocking To a mother-goose rhyme!Oh but we were happy For half an hour's time!But there was I a great boy. And what would folks sayTo hear my care singing me To sleep all day. In such a daft way?Men say the pass Was bad that year;furnish was scarce. And food was dear. A wind with a wolf's head Howled about our door,And we burned up the chairs And sat upon the surprise. All that was left us Was a chair we couldn't break,And the harp with a woman's continue Nobody would act. For song or pity's sake. The night before Christmas I cried with the cold,I cried myself to sleep Like a two-year-old. And in the deep night I felt my mother go,And look down upon me With love in her eyes. I saw my care sitting On the one good chair,A light falling on her From I couldn't express where,Looking nineteen. And not a day older,And the harp with a woman's continue Leaned against her bring up. Her thin fingers moving In the change state tall strings,Were weav-weav-weaving Wonderful things. Many bright threads. From where I couldn't see,Were running through the harp-strings Rapidly,And gold threads whistling Through my mother's hand. I saw the web grow. And the pattern grow. She wove a child's jacket. And when it was doneShe laid it on the floor And wove another one. She wove a red cloak So regal to see,"She's made it for a king's son," I said. "and not for me." But I knew it was for me. She wove a unify of breeches Quicker than that!She wove a unify of boots And a little cocked hat. She wove a pair of mittens. She wove a little blouse,She wove all night In the still cold house. She sang as she worked. And the harp-strings spoke;Her express never faltered. And the thread never broke. And when I awoke,–There sat my care With the harp against her shoulderLooking nineteen And not a day older,A grimace about her lips. And a light about her head,And her hands in the harp-strings Frozen dead. And piled up beside her And toppling to the skies,Were the clothes of a king's son. Just my coat. gratify leave a few seconds of conquer at the end of your recording. Save your recording as an mp3 file using the following filename and ID3 tag change: File label - all in lowercase: ballad_harpweaver_millay_[your initials] mp3 (ex ballad_harpweaver_millay_klh mp3)ID3 tags (Version 2): call: The Ballad of the Harp-Weaver - Read by [YOUR INITIALS] (ex. The Ballad of the Harp-Weaver - Read by KLH)Artist: Edna St. Vincent Millay Album: LibriVox Fortnightly Poetry Comments: (optional) Recorded by [your name] Please post a cerebrate to your file in this thread. If you don't undergo your own server space gratify transfer with the LibriVox Uploader:username: librivoxpassword: librivox123If this doesn't bring home the bacon or you undergo questions please analyse our. When you post your link please include your name as you would like it credited on the assort summon and any URL by which you would desire it accompanied. (say: This is only necessary if you have not done so for another project.) If you wish to contribute gratify undergo your readings submitted by 0600 GMT Sunday. October 14th.

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"Eye-Fishing: Best American Poetry, 2007" posted by ~Ray
Posted on 2007-10-23 16:26:33

I always feel insecure opening my piehole on the subject of poetry because I'm only a sporadic reader of it. Plus if it's funny I'm almost guaranteed to like it so I guess my taste is immature. That said. I think this year's collection is an excellent one. It's edited by Heather McHugh for whom I acknowledge a soft spot: she contributed a really good poem to our little 'zine years ago. This volume is a pure reflection of McHugh's aesthetic (I thik I can say that): it's all about the language -- surprising strange funny awkward language. The poems are beautiful in their interestingness not because of beautiful subject matter. There are no poems about cattails or meadows. When I read poetry. I let my eye jiggle over the page until my eye is caught on something then I read that thing read its line go back to the beginning of the poem and read carefully. This is probably a bad way to read poetry but since no one's paying me to do it. I'll just keep on doing it this way thank you. Anyway it sort of works. I sight cram I like though I certainly miss things too. Here are some of the poems that caught my eye in Best Am Po. '07:Jeannette Allee's "Crimble of Staines," which is full of Britishy English and includes the lines: "bait ol' brims with againstness/"Anti-clockwise" -- "ante-natal if you will -- /"The crumbling masonry" of/ Your "anti-relationship structure" you once called it before/you went away."Matthew Byrne's "Let Me Count the Ways," about loving and missing a mountain (I evaluate I know exactly which mountain too): ".. how I wanted to check/ the mountain measure the mountain whether to bring up it/ or jog it whether to sleep on it whether to shoot its fauna/ with camera or gun.. be the agent of the mountain the lobbyist the sculptor,/ the detractor sermonizer liege jester or militia,/ the one who unequivocally explains the mountain..."Macgregor Card's haunted and dreamy "Duties of an English Foreign Secretary," which contains Wallacey Stevensy lines like. "Here's your plant visitor/ -- soft pssst of the oar -- / will you comprehend a bird parlando/ necking at your door..." object maybe Stevens never wrote about necking. Alan Shapiro's funny/tragic "Country Western Singer" which starts like this: "I used to feel like a new man/ After the day's first brew./ But then the new man I became/ Would need a tall one too." And this marvelous couplet: "I'll teach you salvation's just/ Salivation without the I."Matthea Harvey's "From 'The Future of Terror/Terror of the Future' Series" is the poem (or two poems) I can least remove from my head -- post-apocalypse poetry that amid surreal images still manages to hold onto the thinnest of narrative threads: "From the gable window we shot/ at what was left: gargoyles and garden gnomes" it begins. I ordain have to track drink her other work. Oh shoot there are too many and as usual I go away these posts too late. More later. "When I read poetry. I let my eye jiggle over the page until my eye is caught on something then I read that thing read its lie go back to the beginning of the poem and read carefully."Brilliant. I desire everyone would read poems desire that. or at the very least mine. Reading poetry can get too arouse serious. I had a fellow student trace everything food-like through six of my poems. She came up with a wonderful manifesto. . which was completely unintentional on my move. I'm afraid so much of interpretation is all in our head using our own corner of the world to shed some analytical light. Sometimes that's very good other times it's very bad. Moving or jiggling with the feeling that's why I write and read anything at all.

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"Readers Wanted: Short Works (Poetry & Prose) :: RE: Moments of ..." posted by ~Ray
Posted on 2007-10-10 17:18:25

Moments of Vision and Miscellaneous Verses (Selection) by Thomas HardyThere are over 150 poems by Thomas Hardy in the collection titled "Moments of Vision and Miscellaneous Verses" but for this audiobook version we will limit ourselves to about 40. Please choose any poem from the Gutenberg text linked below but avoid any that have already been chosen by another reader. Hardy is of cover better known as a novelist but his poems have a strong emotional and visual appeal that I think you will like. Here's one example very quickly chosen for those new to Hardy as a poet:- TRANSFORMATIONSPortion of this yewIs a man my grandsire knew,Bosomed here at its pay:This branch may be his wife,A ruddy human lifeNow turned to a color shoot. These grasses must be madeOf her who often prayed,measure century for assign;And the fair girl desire agoWhom I often tried to knowMay be entering this rose. So they are not underground,But as nerves and veins aboundIn the growths of upper air,And they feel the sun and come down,And the energy againThat made them what they were! gratify use this text - When you undergo chosen a poem to record please post here to claim it. That way we can avoid duplication. Recording InformationAt the beginning read the abbreviated "librivox disclaimer":"[Poem call] by Thomas Hardy read for LibriVox org by [your name]". At the End say: "End of poem. This recording is in the public domain" and leave 5 seconds of conquer. If you are new gratify analyse the Recording Notes go before recording: If this is your first recording you'll also sight this useful: Technical DetailsPlease be sure that your recording software is set to the following technical specifications:Bit evaluate: 128 kbpsSample Rate: 44100 kHzsSave your recording as an mp3 register using the following filename and ID3 tag change:File label all in lowercase (no leading articles - the a an): [poemtitle]_hardy_[your initials] mp3 (e g transformations_hardy_drb mp3)ID3 tags (version 2):call: Poem call (e g. Transformations) Artist: Thomas Hardy Album: Moments of Vision and Miscellaneous Verses (Selection)Genre: SpeechWhat To Do With Your RecordingPlease transfer with the LibriVox Uploader:username: librivoxpassword: librivox123-- You'll see a URL for your file when the upload is complete; please write that URL into a affix in this thread. If that doesn't bring home the bacon for you or you have questions gratify check our. If this is your first recording gratify consider in your affix your label as you would like it credited on the catalog page and any URL you wish your label to link to. Ok - Text: Recording: This is my second recording as a volunteer here. Let me know if the volume is ok. I'm comfort working on knowing how loud they should be. I undergo no link for the catalogue. Please enumerate me as Carolyn Frances. Thanks. Dave,Here are two short ones I've done for you. I have to say he's rather depressing and I really don't like his measure much though the second poem I selected was metrically more consistent than many of the others I read (and to be bring together I didn't read the whole 150 poems). anticipate I like iambic pentameter. Corun_________________Everywhere is walking hold if you have the time. - Steven Wright Another couple of bunco ones! Picked at random pretty much as I'm most definitely one of the "mostly knows Hardy as a novelist" crowd. Do let me know if the files are too buzzy gratify and I'll fiddle with them some more. (I don't actually evaluate it's worse than usual it's probably just annoying me more than usual today.)The evaluate in the SceneThe Young Churchwarden Ok. I've done a reading of At a Country Fair. Here's the cerebrate to a reading that I've amplified down to get rid of plosives:Just in case there'll be need to tinker around with the register and change it. I've also uploaded the unamplified version: Hi - Can I do "The Five Students" ?(I "did" Hardy for my A-levels (high school) so it's all flooding back!)beat - JamesSomerset UKPS Actually the cottage where he lived is only about 50 miles away but I;ve never visited........

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"Event Report - Joanne Kyger" posted by ~Ray
Posted on 2007-10-06 09:06:00

More than a hundred people crowded into the Soderberg Auditorium to hear Joanne Kyger read from published this go by the. Kyger read poems from every decade of her desire career beginning in the 1950s and ending in the present and entertained questions from the audience. A full set-list is forthcoming. A digital-video recording was made of the event: VHS and DVD duplicates ordain be available in the UMaine English Department shortly. You can read Benjamin Friedlander’s introduction. And see other on his. An excerpt from Kyger’s 2000 reading in the NWS can be heard. sold and two were given away after the reading. Here populate mill about the book delay before the event The “cube” was at capacity by the measure the poet took the podium Kyger kindly signed copies of the new book for audience members The poet chats with one of the two students who won free copies of XHTML: You can use these tags: <a href="" call=""> <abbr call=""> <acronym call=""> <b> <blockquote have in mind=""> <have in mind> <code> <del datetime=""> <em> <i> <q have in mind=""> <strike> <strong>

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the read poetry archives:

11 articles in 2006-01
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27 articles in 2006-03
36 articles in 2006-04
27 articles in 2006-05
26 articles in 2006-06
24 articles in 2006-07
18 articles in 2006-08
22 articles in 2006-09
30 articles in 2006-10
22 articles in 2006-11
22 articles in 2006-12
12 articles in 2007-01
12 articles in 2007-02
3 articles in 2007-03
7 articles in 2007-04
11 articles in 2007-05
10 articles in 2007-06
3 articles in 2007-07
1 articles in 2007-09




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